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Overview

The Golden Compass / Northern Lights

The Subtle Knife

The Amber Spyglass

Lyra’s Oxford

The Book of Dust

General

Philip Pullman

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Features

The Golden Compass World Premiere

Cannes Filmfestival 2007

Alethiometer

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News Archive

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fbi_woman alerts us that a press kit from The Golden Compass movie adaptation has appeared on eBay.

From the seller's description:

"It contains 14 think gossy pages with beautiful color photos of scenes from the movie, its cast and artwork of scenes not yet filmed at time of printing."

The auction is worth a visit just to view the provided photographs.

I just got updated by phone by a very enthusiastic Lord Asriel. Our beloved admin has had a great day at Shepperton Studios today, meeting with Chris Weitz and Dakota Blue Richards, and he's seen a huge lot of things.

First of all, he stressed to me that he's now 100% behind Dakota Blue Richards in every way. According to him and I quote: "Dakota's a prodigy, she's simply a stunning actress”.

He's seen the shooting of a scene from the end of The Golden Compass where Lyra says goodbye to Iorek. Dakota was talking to a simple square block that was supposed to be Iorek but still it was "heart wrenching" to look at.

He's also met Dakota's stunt double who's a multi-times Karate champion and “simply amazing”. Overall, Lord Asriel is now completely behind Dakota Blue Richards and even stressed it by saying: "I will personally permaban anyone who still criticises DBR after this". You have been warned.

After the auditions, Philip Pullman received a DVD with samples from 40 girls and New Line Cinema expected that they’d need one week to pick the right one from them. However, Philip Pullman responded within 48 hours that Lyra had to be one of two girls he picked, one of them obviously being Dakota Blue Richards.

Dakota told Lord Asriel that she found out about the auditions watching BBC Newsround, and that she wouldn’t have gone to them if it had rained. When asked about how she felt about working with stars like Nicole Kidman and Daniel Craig she didn’t seem to have an answer prepared. She responded rather neutrally, but she’s obviously used to it by now.

Chris Weitz said to Lord Asriel that he’d like his dæmon to be a hawk or another cool animal but that “in reality she’s a sloth”. When asked about working with kids he said that the trick is to treat them in the same way as adults. This obviously works because Dakota is acting brilliantly. Chris Weitz also said that His Dark Materials are his favourite books, that he’s been a long-time fan and the he thinks of Philip Pullman as a genius.

Lord Asriel also quizzed Weitz about the numerous screenwriter and director changes. Weitz said that he initially left the project because he was “afraid to land in a place like this”, referring to the enormous green screen area they were standing in at the moment. About Tom Stoppard’s script he said that he always writes his own scripts and that he only saw Stoppard’s after he had written his own. New Line representatives on the other hand said that Stoppard’s script “simply didn’t work”. Overall, the story is still not quite told yet and it’s going to be interesting to see if we can recognise some of Stoppard’s characteristic touches.

Filming is still in progress at the moment, but they’re going to wrap it up this week. One interesting thing to note is that after Dakota was finished with shooting the scene, she was quickly ushered into a waiting car to go to “school”.

The press were also presented with a 10 minutes long, raw and unprocessed teaser trailer with footage of when Lyra meets Iorek. All the CGI was still missing so Iorek was simply a dot on screen, and dæmons were no more than coloured patches. Still, Dakota’s acting was very convincing and it’s almost unbelievable that a young girl with no previous experience can be this good.

The costumes and Lyra’s world is fantastic and not over the top. The fighting is beautifully choreographed and very tense. New Line is going to promote the movie with a huge campaign. They’re planning one movie for every two years (The Golden Compass December 2007, The Subtle Knife December 2009, The Amber Spyglass December 2011) and Inkheart movies in between (December 2008, December 2010).

All in all, this movie has all the makings to become a brilliant movie with tremendous success!

Lastly I’d like to mention that even though there’s no official merchandise yet, the film crew has His Dark Materials coats and caps. Be sure to keep your eyes open for the opportunity to win one of these rare items!

Update

Just adding, New Line has filmed the whole event but I'm not quite sure if we'll get the footage. A huge amount of photographs have been shot by a camera crew, we'll probably receive those pictures in a week or two.

Lord Asriel was also picked to be strapped to some wired stunt installation, and fly around like the witches do!

We are pleased to announce that our very own administrator Lord Asriel will be attending New Line's press event in London this week, which will include a visit to the set of The Golden Compass and a visit to the set of upcoming fantasy movie Inkheart.

This will provide the fan community with novel insights as to how the His Dark Materials trilogy is being brought to life by New Line.

Lord Asriel, who will be in London from Monday through Thursday, will try to post daily summaries of his activities, so watch this space!

If there are any questions that you might have regarding the movie production please post them as comments to this article, LA will do his best to see them answered!

Update: Lord Asriel arrived safely. You can expect updates on Tuesday.

It is my pleasure to announce that the rights to Philip Pullman's The Butterfly Tattoo have been optioned by my friend Rik Visser, and his company Dynamic Enterprises. The plan is to produce the movie with the help of the His Dark Materials community.

Read the announcement on Cittàgazze.

Philip Pullman has written his not-so-monthly-message for January on his website. He writes about the difficulty to write regular items for his website, the weather and his plans of adapting to the Mediterranean climate in the UK.

Furthermore, he writes about his public appearances in the coming time and he responds to the Honorary Freedom of the City award that's been offered to him by the Oxford City Council.

Read Philip Pullman's January 2007 message

Oh and, don't skip the last paragraph! ;-)

We are very pleased to announce that the newest version of our His Dark Materials world map has been released!

The new version is even more accurate than the last one, and contains even more information.

Compliments to Phit who did an amazing job, and thanks to Dr. Laurie Frost for helping out!

Canada, the largest source of wood pulp for the UK paper industry, was the first nation to promote large-scale green publishing in 2003, when Rainforest Books in Vancouver printed J K Rowling's Harry Potter titles on 100 per cent recycled paper. Greenpeace is working on a campaign to persuade more publishers to do the same. Two hundred authors worldwide, including Helen Fielding, Philip Pullman and Ian Rankin, have signed up.  UK publishers with green paper initiatives include Random House, HarperCollins and Egmont Books.

It is the country that gave the literary world Margaret Atwood and Carol Shields. Now it is at the vanguard of green publishing, with big-hitting authors such as Alice Munro demanding that their books be printed on recycled paper.

Canada, the largest source of wood pulp for the UK paper industry, was the first nation to promote large-scale green publishing in 2003, when Rainforest Books in Vancouver printed J K Rowling's Harry Potter titles on 100 per cent recycled paper. Greenpeace is working on a campaign to persuade more publishers to do the same. Two hundred authors worldwide, including Helen Fielding, Philip Pullman and Ian Rankin, have signed up.

The poet and green campaigner Mandy Haggith writes in Mslexia magazine this spring that "pulp and paper mills produce ... some of the most toxic substances on Earth", and urges readers to look out for the Forest Stewardship Council logo on books.

UK publishers with green paper initiatives include Random House, HarperCollins and Egmont Books. The British writer John O'Farrell says: "I expect nothing less than recycled paper for the publication of all my recycled jokes."

Source

LONDON: The British Library has put on display the notebook in which William Blake wrote one of his most famous poems, "The Tyger," to mark the 250th anniversary year of the English poet and artist's birth.

The original notebook is on display at the library in London alongside work of modern writers inspired by his work, including part of Philip Pullman's manuscript for "The Amber Spyglass," whose main character was inspired by Blake's poem "The Little Girl Lost."

William Blake's "Tyger" notebook goes on display in London

Philip Pullman is to be awarded with the rare Freedom of Oxford award.

Philip Pullman said: "I am delighted and honoured to receive the Freedom of Oxford, the city which has been the inspiration for a great deal of my work. Oxford is a city that is steeped in storytelling.

Philip Pullman is just one of five modern-day recipients of the honour.

Philip earns rare award

Author Philip Pullman, best known for the children's fantasy trilogy His Dark Materials, is to be awarded the Freedom of Oxford.

Mr Pullman, who lives in Cumnor and has published more than 20 books, will receive the rare honour for his literary work at a ceremony in Oxford Town Hall later this month.

Describing Oxford as his "inspiration", he joins a select list of just five modern-day recipients of the honour, which is purely honorary and carries no special privileges.

Mr Pullman said: "I am delighted and honoured to receive the Freedom of Oxford, the city which has been the inspiration for a great deal of my work.

"Oxford is a city that is steeped in storytelling.

"It's a place where the past and the present jostle each other on the pavement and while of course that's true of many cities in Britain, Oxford does seem to have a few extra dimensions in some strange way.

"I am immensely gratified the city I've made my home has found my work worth rewarding, and very proud to receive an honour whose history goes back to the craftsmen and merchants of the Middle Ages - and which is held by a few very distinguished people of today."

Mr Pullman cites John Milton's seminal novel Paradise Lost as a major influence on his work. The first volume of the Dark Materials trilogy, Northern Lights, won the Carnegie Medal for children's fiction in 1995 and The Amber Spyglass, the last volume, was awarded the 2001 Whitbread Book of the Year prize in 2002.

The trilogy has sold nine million copies worldwide and is being made into a film due for release later this year called The Golden Compass, starring James Bond actor Daniel Craig and Nicole Kidman.

Oxford Lord Mayor Jim Campbell, said: "Oxford has an astonishingly rich tradition of children's story telling and Philip Pullman is a worthy successor to Lewis Carroll and C S Lewis.

"His Dark Materials is one of the finest imaginative works in English.

"While it creates and explores new worlds and new systems its roots are in Oxford and we are pleased to be able to confer the Freedom of Oxford on someone who has given so much enjoyment to children, and adults, all over the world."

[© 12/01/07, Oxford Mail]

As you know HisDarkMaterials.org is dedicated to providing the His Dark Materials community with the most comprehensive information on the His Dark Materials books and movies. Amongst other means, this is accomplished through the Srafopedia, our interactive encyclopedia.

The Srafopedia is far from complete, but luckily for us there exists the wonderful reference guide The Elements of His Dark Materials by Laurie Frost. To celebrate the publication of this book we are giving away two copies of this comprehensive volume.

All you have to do is to contribute a piece of information related to the books which is not yet listed in the Srafopedia. You can submit as many entries as you like, but be sure to credit your sources.

You can submit your entry as a comment to this article. All entries must be received by February 1st. Two winners will be selected out of all the entries received.

New Line has hired Hossein Amini (The Wings of the Dove, The Four Feathers) to pen The Subtle Knife, the second part of Phillip Pullman's "His Dark Materials."

Despite early reports that New Line would wait to see the success of The Golden Compass, it appears they're now confident enough of The Golden Compass to move ahead on the second movie.

The move comes as New Line is in the midst of a five-month shoot on Pullman's The Golden Compass at Shepperton Studios in London. Chris Weitz is directing the $150 million "Compass" -- to be released on December 7 -- from his own script.

Amini is currently penning Drive for Universal with Hugh Jackman attached to star and Marc Platt producing.

In "The Subtle Knife," Pullman introduces the character of a 12-year-old boy who has learned the art of invisibility and is seeking his missing father when he encounters a vanishing cat and joins forces with Lyra Belacqua.

Pullman's final book in the trilogy is "The Amber Spyglass."

ALSO:

Second His Dark Materials Planned

 New Line Cinema is apparently feeling pretty good about their upcoming movie adaptation of the first His Dark Materials trilogy. Even though The Golden Compass won't arrive until late-2007, they're already planning to make a movie out of the second book.

Variety reports that New Line has hired Hossein Amini to start work on a script for The Subtle Knife, based on book two in the His Dark Materials series. Amini's writing credits include the failed 2004 Heath Ledger movie The Four Feathers, and the 1996 Kate Winslet incest movie Jude. Bad though it was, The Four Feathers was at least an epic. Amini's not a total stranger to the genre.

Though they're working on a script, New Line's president Toby Emmerich insists that the second and third movies will not be made unless the first movie makes a big pile of money. That may explain why they're hiring someone like Amini to write His Dark Materials: The Subtle Knife, since he probably comes cheap they aren't investing all that much in a movie that may never get made. If they do decide to shoot it, expect rewrites.

While the first book is primarily about one character, a little girl from an alternate universe named Lyra, The Subtle Knife adds in a 12-year-old boy from our universe with the power to cut his way between different dimensions. It's actually a better book, and the third one is even better still. It's kind of a shame that their cinematic potential depends on the performance of a movie based on the weakest part of the series. Still, His Dark Materials fans shouldn't be worried. If a terrible fantasy movie like Eragon can make nearly $100 million worldwide, then His Dark Materials: The Golden Compass ought to be able to recoup it's $150 million price tag easily.

[© 05/01/07, CinemaBlend]

New Line have released new stills from The Golden Compass. They include close-up pictures of Nicole Kidman as Mrs. Coulter, Daniel Craig as Lord Asriel and Dakota Blue Richards as Lyra, as well as Lyra with Roger (Ben Walker) in polar conditions.

All the high-quality images are available in full size from our image gallery.

Open your favourite photo editor and start making wallpapers!

MTV.com creates some buzz about The Golden Compass by listing it 6th on the list of the most anticipated blockbusters for 2007, among big titles as Harry Potter, Pirates of the Caribbean and Spider-Man. Here's what they have to say about it:

"Not many popular children's stories claim inspiration from "Paradise Lost," but not many children's stories are as oppressively dark and despairing as "The Golden Compass," Philip Pullman's first book in the "His Dark Materials" trilogy. A condemnation of religion, "His Golden Compass" follows Lyra Belacqua, a young girl who ventures to rescue her uncle, the Lord Asriel (Daniel Craig), from the clutches of a band of war-mongering, anthropomorphic bears and the evil Mrs. Coulter (Nicole Kidman)

'Harry Potter,' 'Pirates,' 'Die Hard': Buzz On 2007's Biggest Flicks

Sequels rule list of anticipated blockbusters, which includes Steve Carell comedy 'Evan Almighty,' Matt Damon's 'Bourne Ultimatum.'

In an age when international-ticket receipts, DVD sales, video games, merchandising and other ancillary markets can transform a box-office dud into a worldwide behemoth, Hollywood has had to rewrite the rules on blockbusters. For one, they had to change their name.

The term for such films is "tent poles" now, and just as well

The HDM.org crew would like to wish you all the best for 2007! The coming year is bound to be a very important year for all His Dark Materials fans, as we'll witness one of the biggest adaptations ever, the first His Dark Materials movie!

Thanks for your continuing support, we'll keep growing as a community in 2007!

The Observer

Walking around Shepperton Studios, strange creatures loom from the shadows. Witches and warlocks bowl past in hippy dreadlocks; I swear I've just seen a polar bear in full armour. The film lot is currently playing host to The Golden Compass, the first instalment in Philip Pullman's His Dark Materials trilogy, starring Daniel Craig, Nicole Kidman and child actor Dakota Blue Richards. By the time I reach Craig's dressing room, I've slightly lost touch with reality. But as Craig enters the room there's that shock of recognition. Everywhere you go, on buses, on billboards, his face is plastered 60ft high. Overnight, he has gone from being a great character actor to the most famous actor in the world. To date, Casino Royale has grossed $417m worldwide, making it the most successful opening of a Bond film ever. And Craig is the man who has made Bond human, giving him enough interesting psychological flaws to compete with modern icons such as Jack Bauer and Jason Bourne.

So, indisputably it has been Daniel Craig's year - a story made all the more delicious by the fact that he started off 2006 as the potential villain of the piece. But those fans who complained he was too short, too blond and, yes, too Northern to play Ian Fleming's deadly assassin have had to eat their words.

We've met several times before, and I've always found Craig to be hugely bright and sympathetic. But there was always a sense of reserve. His wariness with the press - and especially of talking about his private life - could make interviews slightly combative. 'Self-promotion, for me, is like going to the dentist,' he once admitted.

But now everything has changed: his body language is open, he meets your gaze directly. A new energy crackles in the room. And he looks great, blonder somehow (mysteriously, Craig is one of those actors who can switch his blondeness on and off at will). He's dressed in corduroy and brogues to play Lord Asriel in The Golden Compass. Disappointingly, his new beard - 'my explorer look' - has already gone. 'I grew it for the beginning of the film because Asriel is holed up in a prison cell, so shaving it off symbolises his freedom.'

Daily, it seems, Craig is splashed across the front pages of the newspapers on the flimsiest of pretexts (he's got new facial hair, he's the new male totty or the saviour of British masculinity). It's harmless fun, but he knows things could turn darker. 'If someone in my past decides they want to write about me, there's nothing I can do about it. It's their thing, it's what they're going through. But if it's to do with my present group of friends, my family, then there is a need for some control to be taken because that's private.'

He cites JK Rowling as someone who uses her fame and fortune wisely. 'She's kept her privacy. I think she may have a child, but I don't know, which is good. Now she's using her money to fund things she believes in. But her charity is her own private thing, which I think is incredibly admirable.'

Growing up working class in Liverpool, Craig was arguably the boy least likely to succeed. He failed the 11-plus and left school at 16. He had the wrong look for drama school in the Eighties, which was full of boys in floppy fringes who went to Eton. And yet here he is, the biggest British movie star of the decade at 38. What does it feel like to finally be doing the circuit on shows like Parkinson? 'Exactly what you think it feels like,' he deadpans. 'I was reluctant to go on Parkinson actually, which is weird because when it came to America I was like, "Oh fine, I'll do Letterman, I'll do whatever." I had less fear about it because it's not my town. But suddenly you're at LWT in London and you're at the top of the fucking stairs. The band's winking at you, and all you can think about is not falling down those stairs. Parkinson is delightful though, he came and talked to me before the show, and I thought: "OK, I don't have an act, this is all I can do, this is it, sorry." I admire people who can go and just turn it on. But if I do that, I just look like a wanker. So I try and talk normally with people.'

But then Craig does have a horror of modern confessional culture. 'You watch the mess people get into when they invite people into their homes and say, "This is the stress I'm under at the moment because I'm breaking up with so-and-so, or my child is dying, or my mother is dying, and I'd like to share this grief with you, because it would be good for other people." It may seem a valid statement, but I can only see it damaging you. Later, people will say, "But you shared your grief with us when your cat died, what do you mean you won't talk to us now you've had an affair with so-and-so?"'

But he's savvy enough to know he can't play the reluctant movie star any more. 'At the beginning I said to the Bond producers: "I will do everything you want me to do to sell this film," because I can't do this movie and go "I don't talk to the press" - it defeats the object.'

So, just as he was being declared a major sex symbol Craig went the whole hog and outed himself as 'happily not single', declaring a girlfriend, 29-year-old film producer Satsuki Mitchell. Was that something they decided to do together?

'Definitely, definitely. The thing is, she's been with me all through this, and all the way through filming. So why exclude her? She's up to it; she's an adult, I'm an adult. I'm not going out there purposely holding her hand to say, "We're a couple." But Bond has been too big an experience, it might not come around again. We had to do that amazing thing in Leicester Square, and walk round all that craziness, just because it may never happen again.'

Craig is a little afraid of where this level of exposure might go, though. 'I knew what it would open us up to - God forbid we should split up, but the response will be "Ah ha!", and there's nothing we can do about that. Now that we've appeared publicly we've declared something or other.' Does he fear the curse of Hello!? 'There is something out there,' he hoots. 'I'm sure there is. There's an organisation where they sit in a dark room with hoods on.'

He has three new films due out in 2007: as well as The Golden Compass, there's The Invasion, a modern version of the sci-fi classic Invasion of the Body Snatchers, also with Kidman. But fans may well not recognise him in his next film. Infamous, directed by Doug McGrath, is a million miles away from Craig's suave 007 persona. Playing the convicted killer Perry Smith, who developed a homosexual relationship with Truman Capote, Craig has dyed his hair black, his skin is sallow and he wears contact lenses.

Daringly, he doesn't appear for the first 40 minutes of Infamous. 'But boy, the minute he comes in, he sure grabs everyone,' says McGrath. 'I knew Daniel was right because he is very persuasive violently, very persuasive as a vulnerable person, but he is also totally magnetic. As Perry, you think is he dumb, or much smarter than I thought, which keeps you on a knife edge.'

Infamous, which stars British actor Toby Jones as Capote, recreates the background to Capote's 1965 true-crime tale In Cold Blood. By rights it should be laden with Oscar nominations next month (both Craig and Jones are astonishing). Except for one problem: this is the second film about Capote to be released in 12 months (Bennett Miller's Capote won Philip Seymour Hoffman an Oscar earlier this year). So how do you get audiences to a film they think they've already seen?

Craig is so proud of the film he's made a window in his schedule just to talk about it to The Observer. 'My feeling all the way along was I wish they had put the two bloody films out together. I wish they'd had the balls to do that,' he insists. 'I love Truman Capote, and I love In Cold Blood so much, I thought, "You know what, whatever happens, this is worth telling." It's worth seeing another interpretation of that character.'

Initially McGrath's film seems lighter, frothier than Capote. We meet Truman's swanky Manhattan friends, from Babe Paley (Sigourney Weaver) to Diana Vreeland (Juliet Stevenson). As Weaver puts it: 'If the other film is like a shot of bourbon, then this is a glass of champagne.'

But after Truman meets Perry, the tension starts to bite. Artist and murderer are mirror images. Both had mothers who committed suicide. Both were sensitive kids who felt out of place and had dreams of becoming artists.

It's too easy to call Infamous a gay love story, but the erotic tension between Craig and Jones has you on the floor. 'There was never any self-consciousness about it,' says Craig. 'I always think that's how a love story needs to play out anyway, because it's just this friendship that starts growing, and if it turns into sex, it turns into sex; but it's not like two young men meet in a bar, go out back and fuck. This is about two human beings really sitting down and trying to figure each other out.'

Nevertheless, poor Toby Jones has been hounded by the American press about what it was like to kiss the new 007. A fact Craig finds grimly amusing. 'What's he supposed to say? "Very dry?" Anyway, it's all over the internet now: "Bond has gay kiss!"'

Infamous nearly wasn't released, but Warners relented when it was shown at the Venice Film Festival to rave reviews. In fact, Craig stayed away from the film festival, citing prior commitments. Now he admits, 'I had this whole awful debate going on with myself. I thought, "I can't go because otherwise it will be all about the new Bond being in town.'

He loves the fact that Infamous is about a writer, not a celebrity chef or an actor. 'Some of my greatest heroes are journalists. I genuinely believe getting to know people, going out and looking people in the eye and understanding the situation, like war reporter Robert Fisk does, that's proper journalism. Maybe that's just a dinosaur way of looking at things. But I don't believe anything I read on the internet.'

He'd love to do more theatre: 'I'm enormously jealous of what Bill Nighy is doing at the moment.' Judi Dench is another role model. 'Bond is a sexist pig, of course he is. But having Judi in the film, well it doesn't forgive it, but it gives it gravity. Because how could Judi Dench be wrong?' I tell him it was a master touch that in the film M lives in a sleek modernist penthouse, not some rose-covered cottage. 'Yeah, and it's great there's some guy in bed with her. I was desperate to get someone in like Brad Pitt or Keanu Reeves to do it!'

Craig never took any notice of box-office receipts before Bond. All that changed with the first opening weekend. 'Watching the numbers coming in, and it steadily going up, I thought, "It's OK, we've got away with it." It was like the fucking Blue Peter appeals.'

He's thrilled the two films making money this Christmas are Casino Royale and Happy Feet. Though I don't think they're ever going to make a marketing man of Craig. 'There's this whole thing about demographics,' he groans. 'We're told, "OK, we're a bit low on 22- to 28-year-old women at the moment." What am I supposed to do? Go on telly and make bread?'

And yet you sense how passionately he gets involved. He and director Martin Campbell had a few bust-ups on Casino Royale. He's also working hard to make sure Pullman's subversive text is not watered down too much in The Golden Compass. 'I'm clinging on to it with my fingernails,' he observes. 'I was in Rome promoting Bond the other day and we got asked quite a few questions about The Golden Compass. The thing is, having spoken to Philip [Pullman] now at length - he's such a passionate, great guy - there's nothing anti-religious about this film. It's anti-establishment in a big way and anti-totalitarian and anti-controlling. But essentially it's a film about growing up, and how difficult that can be.'

Craig (who has a 14-year-old daughter from a previous marriage) is relishing playing the magnetic but selfish Lord Asriel, who comes across as a thoroughly rubbish parent in the Pullman books. 'I'm a bad dad,' he gloats.

In fact, he sounds pretty paternalistic. He worries that today's teenagers are growing up too fast. 'Nowadays, free time seems to be 10 times more complicated than it was ... there was less to think about for us. Although Sunday night was all about recording The Chart Show on the radio, it was a major technical deal,' he chuckles, 'so it was probably just as stressful as downloading something from MySpace. It fills the same hole in your head, doesn't it?'

Craig may be man of the year - 'Stop saying that' - but for an action hero he's spending a lot of time indoors. 'The truth is I can't really go out at the moment. I can walk round Soho, anyone can walk round Soho, and it's OK in New York. But I just get shouted at. He yells suddenly, imitating the male fans who rush up to him. 'It's not anything bad, and it will die down eventually. And if it stops me walking into too many bars, that's no bad thing.'

He's no time for self-pity. 'It's a great business this. If you work really hard and get it right, then it's incredibly rewarding.' But he's thrilled many critics didn't recognise him in Infamous. 'I may have to wear a longer wig and more teeth in the future. Ah well,' he laughs, 'there's a plastic bag with my character hanging around in it somewhere.'

One senses he'll use his mega-fame to get interesting films green-lit. 'There are a couple of things I'm going to do next year,' he tells me enigmatically as he dashes back on set, 'and they're small and they're independent and they're about movie-making. There are hugely positive things out there which I'm going to grab with both hands. If more people go and see Infamous now because I'm James Bond, that's great. But people should go and see it because it's a wonderful movie.'

· Infamous is released on 19 January

[© Guardian Unlimited, The Observer 31/12/06]

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